Tag Archives: old school

Stop Motion + Lo-Fi Awesomeness

I am IN LOVE with stop motion animation mixed with live action in film. I’m also obsessed with lo-fi quality, the kind of lo-fi that is obviously fake but offers the magic of using your imagination (*gasp*) to believe it. Here are a few of my favorite examples:

Alice in Wonderland by Lou Brunin, 1949. This film is magical. The cardboard sets are so theatrical, the flicker of the film so old. The scene where Alice is swimming in her tears is amazing- so obviously green-screened and yet so wonderful. The young actress who plays Alice’s hair is obviously bleached blonde. The world of the Queen, all red, is fantastic. Watch this whole film. Go on, watch it. It’s worth it. Move over, pixel animation!!!

Food, Part 1 & 2 by Jan Svankmajer. Czech surrealist filmmaker Jan Svankmajer is my idol. I LOVE LOVE LOVE his work. It’s the perfect combination of live acting and stop motion animation. It’s dark and humorous. It’s disturbing and beautiful. I have watched his films over and over trying to figure out how he does it. Truly a brilliant artist. Watch his films. Watch all of them. Now.

The Blob, 1958 version. Oh, the Blob. How I love it so. It’s like a cross between a big piece of red jello and strawberry jam. And yet, it keeps getting bigger and bigger! Here’s a horror film that I’ll actually watch. Why? Because I can still believe that it won’t actually happen. And despite that, it still holds the exciting suspense that horror films should, without the grossness of being too realistic. I’ve seen the advertisements for the newer 1986 version of The Blob, and it just looks disgusting. Yes, perhaps I should actually watch it to know for sure, but I prefer the older version, there’s just something about it and lo-fi films in general that excite me more than the newer ones.

Has the art world progressed too much for its own good? Has increasingly fancy technology turned it to the shit? Or, am I just too nostalgic for the past? What do you think?

 

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