Tag Archives: site specific

Dreaming of a live/work artist space

One of my big dreams has always been to have a huge live/work art space to make big pieces of crazy art, host funky performance and art events, AND cook up my Sunday morning pancakes. Ideally, it would also be a space that had a lovely little garden either in the backyard, or on top of the roof. I know that’s not usually how it works- you either get the loft, or get the house with the backyard. But when it’s a dream, it could be anything… Here are a few pics of cool-looking spaces I could envision myself in:

This one is okay, but I don’t love the cement floors. Would have to work on that.. Exposed brick is always a nice look, though. Plus a big open space.

Hardwood floors is more my style, especially old-looking hardwood floors like this one. Anything somewhat raw looking is good.

LOVE this space. Nice light, although the pillars could get in the way for some events..

I could certainly see myself living here, except that it costs a freaking $1,050,000. Artist loft converted to rich person condo :(.

Not sure about living in this one, but it sure looks cool! Plus it’s probably more in my price range…

Another fancy pants one, purchased at $1,000,000. Ugh, why do all the rich people get the good artist lofts? It’s not fair.

LOVE. I actually just applied for an artist residency at this one: (The Bemis Center). That would be a dream come true. Hope I get it. Artist residencies will at least offer the space until I can figure out how to afford one of my own…… someday… !

 

Image Links

http://www.attheedges.com/2009/11/26/sdspace4art-acquires-artist-livework-studio-spaces-apply-now-for-your-own-space/ (At the Edges)

http://jasonbrockert.com/inventory/?p=2914 (Jason Brockert Art)

http://cargocollective.com/315 (315 Linden)

http://sensationalloft.com/info.html (500 Molino Street)

http://maryland.inetgiant.com/baltimore/addetails/artist-looking-for-industrial-loft-type-live-work-space-baltimore/12886197 (iNetGiant)

http://www.mpfcorp.com/madison_park_live_work_lofts.html (Madison Park Financial Corporation)

http://www.bemiscenter.org/ (Bemis Center for Contemporary Arts)

Art That Brings People Together

Unfortunately, 9/11 divided people just as much if not more than it brought them together. On the 10-year anniversary of the tragic event, of course we want to honor those who died and the families who lost them; remembering that sad day when all hell broke loose in New York and across the world. However, as so much of the alternative media is discussing in relation to the ten years that have passed since that day, a lot else has happened. And I’m sure you’ve already heard that it ain’t all good. Rather than try and sound overly smart myself, I’m just going to quote a few articles I’ve read over the day that have struck home for me.

The first is from Al Jazeera English, in an article written by Mark Weisbrott titled “The Decade of 9/11: war without end”:

The most important way that 9/11 changed the world, as tens of millions of Americans understand, is that it provided an over-arching theme and a rationale for the kinds of military adventures, invasions, bombings, interventions and atrocities that our government had previously carried out under other pretexts. For half a century the “war against Communism” served this purpose.

From OpEdNews, in an article written by Abdus-Sattar Ghazali titled “American Muslims ten years after 9/11”:

Alarmingly, the post-911 America has become less friendly to Muslims to the extent that they have probably replaced other minorities – Hispanics, Native Americans and Afro Americans – as targets of discrimination, hate and prejudice. Many American Muslims have a story of discriminative treatment ranging from physical attacks, a nasty gaze, casual comments to work place harassment, burning mosques and the Quran. Muslims have witnessed the ever-growing marginalization of their communities. According to a PEW survey released on August 30, 2011, forty-three percent had personally experienced harassment in the past year. The survey also said that 52 two percent of Muslim Americans complained that their community is singled out by government for surveillance.

And from USA Today in an article by Harriet Baskas titled “How the airport experience has changed since 9/11”:

Outside of sending men and women to war in Afghanistan and Iraq, no aspect of Americans’ way of life has been changed by the Sept. 11 terrorist attacks as much as their travel — especially air travel. Many Americans say government air security requirements intrude in their lives in ways that not only inconvenience them, but also invade their privacy, humiliate them and even change the ways they behave.

Rather than dwelling too far on all the negatives, I’ve decided instead to look at the role of art as a medium to bring people together. Often referred to as participatory art, interactive art, and social practice, this style of art often brings art into public spaces, encouraging participation and interaction between people who might not usually come together in everyday circumstances. Here are a few examples of some of my favorites:

Improv Everywhere’s “Say Something Nice” project. To read more about their project, visit the post on their website at: http://improveverywhere.com/2011/08/22/say-something-nice/

French street artist JR’s “Inside Out” project. Visit his website here: http://jr-art.net/

Spencer Tunick’s crouching nudes in Mexico City (http://www.thecreatorsproject.com/en-uk/blog/creativity-bytes-a-guide-to-participatory-art)

Marina Abramović: The Artist Is Present (http://www.whatisparticipatoryart.com/)

Nick Tobier’s mobile hot chocolate tent (http://playgallery.org/stories/nick_tobier/)

Rose Petal Pool by Rounder (Joanne Jovinelly/Figment) (http://radioboston.wbur.org/2010/06/04/cambridge-river-fest)

Cardboardia. (http://cardboardia.info/)

Do you have more info or links to art that brings people together? Please share them below!!! Thank you.

Article Links:

http://english.aljazeera.net/indepth/opinion/2011/09/2011910151711228528.html (Al Jazeera English, “The Decade of 9/11: war without end”)

http://www.opednews.com/articles/American-Muslims-ten-years-by-Abdus-Sattar-Ghaza-110905-979.html (OpEdNews, “American Muslims ten years after 9/11”)

http://travel.usatoday.com/experts/baskas/story/2011-09-07/How-the-airport-experience-has-changed-since-911/50300998/1 (USA Today, “How the airport has changed since 9/11)

Art Without Art Spaces

A hard part about being an artist is finding the right space to do so in. Rehearsal space, space for making things, space for thinking about making things… all these things are needed but space is limited and to have space you have to have $$$$$$$$$$$$$$$$. Artists have to become increasingly creative in the ways that they find space to make things in. This is why Site-specific art work makes more and more sense. Not only does it bring itself directly into the public sphere, not contained in a traditional art space, but it also saves big coins in the wallet, if you know what I mean. As space is limited, I feel pushed to search for a new means of creating artwork that does, indeed, fit outside the box.

Image Sources: http://www.greektravel.com/greekislands/santorini/ (Galleries and Wineries in Santorini), http://web.ncf.ca/ek867/2009_03_01-15_archives.html (Prague Warehouse), http://www.today.ucla.edu/portal/ut/challenging-the-concepts-of-art-96002.aspx (Robert Smithson’s “Spiral Jetty” in the Great Salt Lake), http://www.guardian.co.uk/stage/theatreblog/2007/apr/26/sitespecificworkneedsmoret (The National Theatre of Scotland and Grid Iron’s production of Roam, performed at Edinburgh airport.)

The Water Show

This is a monthly performance event I co-curate in Detroit with my partner-in-crime, Carrie Morris at the Contemporary Art Institute Detroit (CAID). August’s event will take place in the back yard of the CAID, with kiddie pools, swimsuits, musical saws, wildflowers and cool awesome performances. It’s going to be great!! I will post more after the event, with stories of my adventures playing my old man character, Buoj iz Jeb, in various male swimsuits.